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09-21-2014, 03:05 AM
(This post was last modified: 09-22-2014, 01:43 PM by Gi Nattak.)
I must give it up to the bass line, and I'd like to think the longer noted-length trumpets and oboe, again, it's one of those combine them both and you'd have the song moments. I'd listen to them both on my Ipod anyday lol. Honestly, I enjoy the 'swing' of Roy's a bit more than mine, and overall sense of 'sound'; but mine does bring that shit to 16-bit (not that that's what we're judging it on...) it's cause the bass and trumpet lol. The fade ins at the start are undeniably effective as well I must say. Those bass drum toms are bangin' though I might have gave my vote to them (Roy's). And my mistake of the loudness of the hi hat is like mixing up salt for sugar when baking... a little bit (lot) softer, and it would have flowed much better.
Ahhh I love them both!!!
We are born, live, die and then do the same thing over again.
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I'm going to have to vote for Royaken's here. For Gi's, I liked the more piercing opening, but Royaken included the syncopated melodies heard in the background. Also, I feel as if Gi's background melody was a little too loud when compared to the main melody when the music does its main transition about 2/3 of the way through the loop. Also, I do feel that Royaken's was really balanced with the bass line, whereas Gi's felt a little too "up in the sky" without it.
Great job to both of you, as always. You guys have significant talent!
The only thing harder than finding a needle in a haystack is finding a haystack in a needle.
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I vote Mr. Gi Nattak Nice job to both of you guys, as always have significant talent!